Feminist Perspective of the Film Twilight Essay

The ingest Twilight, a fondness-romantic charge has its moving picture director as Catherine Hardwicke who adapted it from Stephenie Meyers apologue Twilight. The plot of the carry revolves around the extra-ordinary kindred amid a Vampire Edward and a young little girl Bella blow. The captivating take aim custodyt centers on the efforts of the family of Bella Swan and those of Edward Cullen to keep her absent from the evil vampires.The film altogether highlights Hardwickes theatrical intellect and wit in bringing out scenes that explores serious aspects as well as the kind constructions and matters the coetaneous nightspot hush up exhibits despite the undismayed fight for equality and social enlightenwork forcet. The film raises serious flaws in portraying the women in a society that has spiritedly fought against the tenets of patriarchate by analyzing it from the feminists head word of view (Chang 1).As the scenes in the film Twilight unfolds, the 17 years Bella Swan goes to live with Charlie, her father in bitty town, Forks after her m some otherwise elopes with a nonher man. loose to young neighborhood and school, Bella has to draw in new friends where she is intrigued by Edward Cullen after he inexplicably clams a van that nearly onslaught over her with his f all in. Bella is intrigued when Cullen is adamant to explain how he saved her and is only against her befriending him. Bella later discovers Cullen is a vampire that only consumes blood from animals. contravene in the film plot develops when other vampires know of Cullen and his family protectiveness over mercifuls particularly Bella who Edward is in write out with. The antagonist, James schemes to retrace Bella where he lures her into a trap at last biting her. Lucky enough Edward and Cullens family rescues her, destroys James something that hurts capital of Seychelles his girl, and the venom in Bellas blood is sucked out by Edward something that pr even sots her from becoming a vampire. Victoria, James girlfriend secretly schemes her strike backbone for her extolr as the film ends.Throughout the film Twilight, it is historied that the pistillate characters especi eachy Isabella Bella argon unquestionable by the director Hardwicke as guileless, annoying, petulant, and to a higher postal service all there is that attitude anti-feminism. This is subsequence of the social construction of women as naive and with immature tendencies traverses the ideals of advance(a) society in this film thus world an disturbance to women folk at once. It is alike annoying that Bella is disposed(p) to just switch over from who she is to become a vampire just because she loves Edward.This is quite demean because it paints the bigger picture and a vainglorious unity for that matter that women would do allthing for the men they love. It is petty that Bella can non just like the individual she is and continue being she is despite all the love she feel s for Edward Cullen. This puts the issue of identity of women in question thus painting a negative picture that women want to mention not with their own kind scarce with who they love. Edward although loves Bella very much he is perpetrate ensuring that Bella is pure no a vampire like himself.Critically analyzing the film in this perspective, Edward is a vampire who hates the activities other vampires involve in. The evil vampires feed on military man flesh and blood, which Edward detests very much. He feeds on animal blood contrary to the likes of other vampires and together with his family protects humans. On the other hand, Bella is profoundly moved by the kindness and the love of Edward that she freely wants to become a vampire. A vital question arises, is Bella steer by reason or her emotions? Is it necessary that she change into a vampire?Can she still exist in the form of human by her virtue and retain her race with Edward? This portrayal of women as heap guided by emo tions only if not by reason is quite misleading and anti-feminist. Feminists from sixties to today are fighting for the deconstruction of portrayal of women as simply nation who need men to do everything for them fight, provide, and oppose them. Therefore, in the film Twilight, the portrayal of women is not is not in vogue with the unexampled-day feminist trends that advocates for women as independent people who can exist without the support of to a lower place the umbrella of men (Chang 1).It is contrary to commonplace feminists trend for women lives to be entirely controlled by men. The film depicts the character of Bella is a mortal dependent on men in her life. The life of Bella is essentially controlled by men and ultimately allows this to take place. The film depicts a patriarchal society that is against the married couple of senior women to younger men and yet it encourages marriage between older men to puerile girls. Would the society interpret in the film would be comfortable if the relationship between Edward and Bella had been vice versa?Hardwicke perpetuates the ideals of the patriarchal society enormous forgotten. Edward even though is a vampire depicts more humane qualities by defend Bella than of vampire and thus enhances the old societal traditions of older men marrying teenagedrs. Bella should not be in a relationship with a person who is worthy to be her great-grandfather. Edward is too old and there can neer be anything good out of the marriage. any marriage is definitely intended for lodge and procreation. It is beyond the contemporary societal value for Bella to be involved in a relationship which provide culminate to marriage.It is also targeting and encouraging a society where the place of women denigrates them to stay at home as housewives and bear children on the denial that they cannot describe decisions based on reason provided guided by their own emotions (Jones 35). Bella is depicted as trying just to ma ke a show of being blind drunk when he overprotects her. On the other hand she be throw aways as a little girl who can barely help herself besides only put herself in danger. Hardwicke portrays maleness which dominates the film.Edward does not feel she is safe sledding to meet people because he is for one jealous, and has the power over her anyway and she feebly resists. Bella puts only feeble efforts of showing she is against his help and yet lets him to help her eventually because she loves him. Do women like to be innately protected as Bella exhibits? The entire relationship is emblematical where Bella has to cling on for protection. Not that Im against the protection but it entirely paints a bigger picture that women withdraw men for protection or else their selection is not guaranteed (Chang 1).According to Jones (63) the society today has high social consciousness and the modern charr is liberal and the film does not portray the ideal modern woman who is sophisticated and independent. The film in a way promotes conservative social ideologies, which are not well taken by the present society. The female characters although they play plethoric role in the film they are presented as people with low self-esteem. The juncture of reason forms the important aspects in the modern woman and emotions are not her weakens.The film however, depicts a thousand and one slipway in which Edward manipulates and controls Bella emotionally and she blindly lets him have his way consequently enjoying his actions. It is ironical in the way Edward does not want Bella not to ride her car, guards her bedroom at shadow and does not want her to do anything all by herself. kind of of living her dreams, Bella gives up all his dreams for the man she loves. Further, the film encourages teenage motherhood in which the contemporary society is against the feminist simply because a teenager cannot make any independent decisions without being influenced.She completely changes h er lifestyle her friends, her body and however gives up humanity just for a man. Another female character is Victoria who as the film ends is possibly intend to avenge for the death of James because she love him very much. There is not any reason beyond this scheme of revenge because even when she is successful in nought will bring James back to life. In addition, the film explores on the theme of sexism revolving around head game, which is targeting the female audience.Chang (1) argues Bellas arrested development is Edward who is depicted as the fairest guy in the world. This film barely permeates the pigeonholes active women that they will come for any guy who is ingenious without even digging about his background. And even if they do a research about the background, the physical looks will make them fall for them anyway. The film is prejudiced against women for it depicts them mistaking fantasy for reality and reliving in that solid ground of fantasy and thus sexism, w hich is femininity indicating that women are weak and objects to be loved, which is a stereotype.Jacob is a realistic character who doubtlessly appeals to the viewers but they sympathize with him because he suffers from rejection by Bella who wants to be with supernatural Edward. This get on seems to confirm the stereotype that women love fantasy rather than the reality. In conclusion, analyzing the film Twilight directed by Catherine Hardwicke from the perspective of feminists, she fails in correcting the stereotypes and prejudices depicted of women in a patriarchal society.The film further subordinates women in the society of men and indicates that they would love to live in life of fantasy instead of the realistic life. Catherine Hardwicke, a female director is criticized simply because she explores the feminine aspects in this movie negatively instead of deconstructing the social constructs against the progress of the women folk in her film, she further perpetuates some of the stereotypes and prejudices against women in the contemporary society.Instead of promoting feminist concepts in this film and fracture down the constructions of the patriarchal society, Hardwicke ironically promotes anti-feminist concepts. earn cited Chang, Justin. Twilight. November 19, 2008. May 11, 2010. Jones, Amelia. The Feminism and visual elaboration reader. London Routledge, 2003. Twilight. Dir. Catherine Hardwicke. Prod. Greg Mooradian, Mark Morgan and Wyck Godfrey. DVD. Summit Entertainment, 2008.